CV
For the past 10 years I have been working in various cultural institutions: independent initiatives, as well as state museums, — in collaboration with world renown artists and experts, as part of the team and independently. I have experience in exhibitions management and research, collections management, writing, editing, translating, public speaking... I believe in importance of bridges between academic and museum work. In my practice, I try to connect the two areas by developing refined conceptions and generating insightful contexts.

Teaching is the best way to learn something — and I have given numerous lectures on almost every aspect of photography's history to various audiences: from teenagers at the "Pushkinsky.Youth" educational program to MA students at the leading Russian university, and general public.
Being a part of the local academic community, I have run international professional events, and I have put a lot of effort into expanding and popularizing photographic culture in the country. Currently, I am a member of the programme committee of the only annual international conference dedicated to photography in Russia.

My main academic interest is in Soviet photography, and I relish the challenges of multidisciplinary approach. You will see in my CV that most of my academic texts are on that subject, but I enjoy exploring XIXth century Russian photography as well.

I also work as a translator occasionally: I have translated non-fiction texts on arts and social sciences for major Russian publishing houses.

More details and links below:
PROFESSIONAL EXPERIENCE
2021-2022
Curator of Photography, The Pushkin State Museum of Fine Arts, Moscow

Lecturer (Theory of Photography and History of Fashion Photography courses), HSE University

Curator, «Experiment» online photography gallery
2017-to date
Member of the organising and program committees, After(Post)Photography International Conference
2017-2018
Research associate, European University at Saint-Petersburg, Art History Dept., St.-Petersburg
2016-2017
Translator, “New Literary Observer” publishing house and “Ad Marginem” publishing house
2013
Invited lecturer, FotoDepartament non-profit organization
2012-2013
Translator, LEICA Camera Russia Blog, TreeMedia publishing house
2012
Project Coordinator, FotoFest Inc., Houston, Texas
2011-2012
Project Coordinator, Project “In Support of Photography in Russia”, IRIS Foundation, Moscow
Events:
EDUCATION:
2016-2021
European University at Saint-Petersburg, Art History Dept., PhD (ABD)
2012-2014
European University at Saint-Petersburg, Art History Dept., MA
(MA thesis: «Soviet Professional Photo Reportage of the 70th and the Phenomenon of “Reporting Without Publishing”. The Case of Valery Shchekoldin». Professor Natalia Mazur as scientific supervisor)
AWARDS:
2021

TOP-50 in Arts by Sobaka.ru (a leading local lifestyle and city culture magazine)
GRANTS:
2019

European University Saint-Petersburg and Cambridge AHRC DTP Travel Grant

2018

Hermitage Friends UK Travelling Curators Grant

2018
European University at Saint-Petersburg and Rutgers University Research Grant
POPULAR LECTURES (selected):
INTERVIEWS:
ENG: Cecil Beaton’s Portraits of Bright Young Things Shine Brightly Still // 1stdibs Introspective

RUS: Nobility of action, fear, and overachievement // Colta.ru

RUS: Top 50 in Art // Sobaka magazine

ENG: Interview “Cecil Beaton. Celebrating Celebrity” // Purplehaze mag

RUS: Cecil Beaton in Russia // Saint-Petersburg Culture


RUS: How Boris Smelov and Leningrad photographers of the 1970s have shaped the image of the city // Paperpaper online magazine
CONFERENCE TALKS (selected):
The ethos of spectator and various understandings of spectatorship, between failure to act and moral obligation
«AFTER POST-PHOTOGRAPHY. Сultural and visual studies in photography» Int. Conf., June, 2. 2022

Advocating the New: Contemporary Art in the Light of Museum Tradition
CAA-Getty International Program. Chicago, USA. February, 16—19. 2021

Between exceptionalism and exclusiveness: building narratives of Soviet photography in a museum practice
CAA-Getty International Program. Chicago, USA. February, 10. 2020

‘The Truth of Life’ as a disciplinary constraint in the late-Soviet documentary photography
AHRC DTP, Cambridge Annual Confernce, UK, September 19, 2019

Photography studies in Russia: aims and perspectives
Discussion moderator; «AFTER POST-PHOTOGRAPHY. Сultural and visual studies in photography» Int. Conf., May 25, 2019

Photography in the academic field
Discussion moderator; «Photography as document. The limits of constructing the image» Conf. Ural State University, Yekaterinburg. March 22-23, 2019

Discipline of photographic gaze in the 1970-80s USSR
Presented at the «Disciplining the everyday» conf. RANEPA, Moscow. November 30, 2018

‘Seeing documentary’: poetics of Soviet documentary photography of the ‘stagnation’ period
Presented at the «Art versus Document: Photography in Modern Russian History» Int.Conf., National Research University – Higher School of Economics, Moscow, June, 1-2, 2017

‘Reporting without publishing’. Mainstream and marginal Soviet documentary photography strategies in the 1960-70s: the case of Valery Shchekoldin
Presented at the “Photography in Socialist Societies: Picturing Power” Int. Conf., University of Bremen, December 9-12, 2015

PUBLICATIONS (selected):

Edited volumes:
Intentional City. Photographs by Valery Degtyarev [photography album]. St Petersburg Art Photography series. 2021.

The Henkin Brothers: A Discovery. People of 1920s-30s Berlin and Leningrad [exhibition catalogue]. The State Hermitage museum. 2017.

Cecil Beaton. Celebrating celebrity [exhibition catalogue]. The State Hermitage museum. 2020.

Articles:

Miron Sherling. Photography and taste // «Yuri Annenkov. Miron Sherling. Boris Grigoriev. Petersburg — Paris» [exhibition catalogue]. 2023. Pp. 119-123.

Dostoevsky-themed imagery in Saint-Petersburg photographers. A case study in Photography and Literature // Photography. Image. Document. The State Museum and Exhibition Center ROSPHOTO annual journal. Vol. 11. 2022. Pp. 35-40.

Studying and Exhibiting Photography in Russia // "Too Hard to see? A forum on visual studies in Russia" (The Russian Review. Volume 81/Number 4 October 2022)

Entries on Galina Sanko and Masha Ivashintsova for the “Une histoire mondiale des femmes photographes” (Editions Textuel, 2020) and “A World History of Women Photographers” (Thames & Hudson, 2022)

Constellations of fame // Cecil Beaton. Celebrating celebrity [exhibition catalogue]. The State Hermitage museum. 2020.

Cecil Beaton’s Trip to the USSR // Cecil Beaton. Celebrating celebrity [exhibition catalogue]. The State Hermitage museum. 2020.

Propaganda and the everyday: the paradigms of humanist photography and Soviet photography in the 1950-60s USSR // Taming the everyday. New Literary Observer publishing house. 2020

"Galina Sanko" and "Masha Ivashintsova" entries // Une histoire mondiale des femmes photographes / Editions Textuel, 2020

The phenomenon of «photographing without publishing» in the USSR in the 1970s. The case of Valerii Shchekoldin // Papers of the State Hermitage museum, 2020

Humanist photography and the Soviet photo-amateurs //
Colta.ru . 2020

Towards the history of Soviet “street-photography” // Photography as Art Int. Conf. Theses at the Russian Academy of Fine Arts. 2020

Boris Smelov’s works from the collection of the State Hermitage museum // Papers of the State Hermitage museum, 2019

Photographic archive in scholarly and viewers’ perspectives // The Henkin Brothers: A Discovery. People of 1920s-30s Berlin and Leningrad [exhibition catalogue]. The State Hermitage museum. 2017, pp. 190-198.

Photography and power. The international conference in the University of Bremen (December 9-12, 2015) // Novoe Literaturnoe Obozrenie. 2016, № 139. (with O. Sveshnikova).


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